Across three episodes, we’re bringing you a special audio edition of Notes, the Wheeler Centre’s digital publishing series. For this edition, participants in our 2020 podcast development programme, Signal Boost have created audio stories around the theme 'Order'.
It’s a word that brings to mind structure, organisation, command or subjugation. Think: the natural order, alphabetical order, out of order. It’s a title, descriptor, an alternative. A holy order, a tall order, or law and order? It can be a direction, or a request. Get your house in order. Take your marching orders.
In this episode, Karishma Luthria reflects on home, self-identity and nights that have you tossing and turning.
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Across three episodes, we’re bringing you a special audio edition of Notes, the Wheeler Centre’s digital publishing series. For this edition, participants in our 2020 podcast development programme, Signal Boost have created audio stories around the theme 'Order'.
It’s a word that brings to mind structure, organisation, command or subjugation. Think: the natural order, alphabetical order, out of order. It’s a title, descriptor, an alternative. A holy order, a tall order, or law and order? It can be a direction, or a request. Get your house in order. Take your marching orders.
In this episode, Nicole Pingon dives into her sonic memory and imagination.
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Across three episodes, we’re bringing you a special audio edition of Notes, the Wheeler Centre’s digital publishing series. For this edition, participants in our 2020 podcast development programme, Signal Boost have created audio stories around the theme 'Order'.
It’s a word that brings to mind structure, organisation, command or subjugation. Think: the natural order, alphabetical order, out of order. It’s a title, descriptor, an alternative. A holy order, a tall order, or law and order? It can be a direction, or a request. Get your house in order. Take your marching orders.
In this episode, Maddi Miller delves into the hidden stratigraphy of Melbourne.
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‘When a language dies, so much more than words are lost,’ the botanist and writer Robin Wall Kimmerer has said. ‘Language is the dwelling place of ideas that do not exist anywhere else.’
In our Broadly Speaking talk on translation and language, we bring together two First Nations writers whose work reflects on Indigenous languages and the languages of the natural world.
Kimmerer is a professor of environmental biology at the State University of New York and an enrolled member of the Citizen Potawatomi Nation. She’s also the author of the remarkable bestselling essay collection, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants.
In this podcast, she speaks with acclaimed Wiradjuri writer Tara June Winch, whose Miles Franklin-winning novel, The Yield, is about traditional language and the stories that words contain. Join them as they discuss how living organisms and living languages can connect us to the past and enrich our collective future.
The Broadly Speaking series is proudly supported by Krystyna Campbell-Pretty AM and family.
We had a few technical problems while trying to record this conversation as an event, scheduled for Tuesday 27 October at 6.15pm – so we rescheduled the discussion to take place exclusively in podcast form.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Katerina Bryant about her debut memoir Hysteria, a compassionate and insightful account of illness, strength and women’s stories.
‘We’re told that illness has a narrative structure, and that it ends. We're told that illness is a tragedy that is, or should, be overcome. I was trying to fit my own narrative within that structure, and it wasn't fitting. And through the act of writing, I was able to see how much of a trope that was and how, really, the experience of living with chronic mental illness like I do is not the difficult part. The difficult part is finding how to live within a world that doesn't accommodate that, and doesn't believe that it's ongoing.’
Hysteria is out now through NewSouth books.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Craig Silvey about his novel Honeybee, a tender coming-of-age story about a transgender teenager called Sam, a chance encounter she has with a man called Vic, and the ways in which both lives are changed by their unlikely friendship.
‘For readers of all levels of sophistication, [dialogue] is the element of a novel that no one passes over. Everybody reads dialogue. It's so revealing of a character and it's the best way for us to understand characters – when they speak purely to us. It's a way to make them feel distinct and unique, and a way to have a text feel dynamic because we're shifting away from that narrative voice and we're introducing different tones and different rhythms. It’s a vital piece of the puzzle… and something I’ve always delighted in’.
Honeybee is out now through Allen & Unwin.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Chris Flynn about his novel Mammoth, a playfully original and thought-provoking story about how a fossil collection of prehistoric creatures came to be on sale at a natural history auction in New York in 2007 (narrated by a 13,000-year-old extinct mammoth).
‘I do struggle with books that are deadly serious. And when I realised this book was going to be partially about climate change, and mankind's early influence on the climate at the end of the Ice Age, and how that has affected us ever since, I got a bit worried that it was all going to be very, very preachy … And so I wanted [Mammoth] to be a little bit lighter, a bit more humorous. I think it's a nice way to [engage people with] a serious topic – by making people smile about it.’
Mammoth is out now through UQP.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Rawah Arja about her debut young adult novel The F Team, a funny and authentic story about what it means to grow up in Australia today.
‘I always say to the kids that I teach, and the kids that I mentor in schools, I never want to be in a room where everybody looks and sounds like me. I believe growth and learning in life is about mixing with people that are different to you... I think everybody has the right to tell their own story. For a long time in publishing, I got used to being comfortable with the back of the line. And I thought that was where I should be... I should be happy that at least I'm even in the line. And then you grow up and you realise that no, I have every right to be at the front of the line, because my story is just as amazing as everybody else's.’
The F Team is out now through Giramondo.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Robbie Arnott about his novel The Rain Heron, a lyrical, compelling ecological thriller about our relationship with the natural world. The Rain Heron is equal parts horror and wonder, and utterly gripping.
‘I think all stories are human stories, in a way. I knew [that] I wanted to write a lot about the environment, and I wanted to create these worlds that felt very visceral and tangible while also being quite fantastical… I tried to have all the imaginative elements as things that feel like they fit neatly into these people's lives and into the world they live in. I didn't want to over explain them or make it feel like I was heaping on a bunch of exposition about why there's a bird made out of rain... And I thought, if it's something that characters just accept, then they'll feel more human.’
The Rain Heron is out now through Text Publishing.
Download a PDF transcript of this episode here.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode, Stella Charls speaks with Mirandi Riwoe about her novel, Stone Sky Gold Mountain. It's a heartbreaking and universal story about the exiled and displaced; about those who encounter discrimination, yet yearn for acceptance.
‘I don’t believe in being prescient by giving [characters] thoughts and actions that would have been totally out of place, but I think there is a place for bringing the story … closer to what it actually probably was. […] Fiction is handy; you’re building up empathy for these characters that are representative of actual people, and what they actually did think.’
Stone Sky Gold Mountain is out now through UQP.
A PDF transcript of this interview will be available soon.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Laura Jean McKay about her novel The Animals in That Country, a bold, exhilarating and original novel that asks what would happen, for better or worse, if we finally understood what animals were saying.
‘And of course, the animals don't say the things that humans wish that they were saying. They're not saying "I ruff you!" or anything like that. They're quite brutal, their relationship with humans is really fraught, because that's the way that human relationships are with animals. As they get to know each other they are trying to navigate this new space together.’
The Animals in That Country is out now through Scribe Publications.
Download a PDF transcript of this episode here.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to James Bradley about his novel Ghost Species, an exquisitely drawn and deeply affecting exploration of connection and loss in an age of climate catastrophe.
‘It seems to me that the single most defining thing we face as a species is this kind of environmental transformation we're in the middle of, and we just don't talk about it. You know, Amitav Ghosh talks about the great derangement, that kind of complete erasure of this incredibly important thing from our cultural and political lives. And although there is a lot more fiction in this space [recently] ... I find myself wondering: why isn't all fiction about this?’
Ghost Species is out now through Hamish Hamilton.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Imbi Neeme about her novel, The Spill, a compassionate portrait of a fractured family piecing together their different recollections of the past.
'No two people ever experience or remember the same thing in the same way, especially when they're sisters. The Spill is about two sisters who we meet in the present day. Their mother has just passed away and they are ostensibly estranged from each other. At the heart of the novel is this accident they were in as young girls, where their mother was driving. No one was particularly hurt in that accident, but the impact of it is felt for decades afterwards. And so we explore more of these sisters' pasts, shared and sometimes quite separate. And over time we come to understand a little more about how they've become who they are.'
The Spill is out now through Penguin Random House.
Download a PDF transcript of this episode here.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Georgina Young about her debut novel, Loner.
Loner is a fresh and honest novel from the winner of the 2019 Text Prize. Smart, funny and deeply compassionate, it is a coming-of-age tale about the paths we take to find out what we want to do with our lives.
Loner is out now through Text Publishing.
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'The boundary between society and the library is porous,' Susan Orlean has written. 'Nothing good is kept out of the library, and nothing bad.'
What do libraries mean to us – as public places and civic institutions? Why do attacks on libraries evoke a special kind of horror? And what do libraries represent in the collective imagination and in literary history?
In partnership with State Library Victoria, we brought together two great American thinkers who have spent years of their lives immersed in the world of libraries. Paul Holdengräber was the former curator of conversations at the New York Public Library, and is the founding executive director of the Onassis Foundation LA, a centre for dialogue in Los Angeles which is an outpost of the Onassis headquarters in Athens. Susan Orlean is a bestselling author and New Yorker staff writer whose latest work, The Library Book, combines memoir with an investigation of the unsolved 1986 Los Angeles Public Library fire.
In an extravagantly nerdy conversation, they discuss the past, present and future of public libraries; why we love them, and why we can’t do without them. Hosted by Kate Torney.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Victoria Hannan about her novel, Kokomo.
Kokomo is a stunning debut novel from the winner of the 2019 Victorian Premier's Literary Award for an Unpublished Manuscript. Both tender and fierce, heartbreaking and funny, Kokomo is a story about how secrets and love have the power to bring us together and tear us apart.
‘When I was writing it I had this thought of like, is anyone going to be able to empathise with what it's like to be stuck in your house for a long time? And now, we all know what that feels like, so I feel like Elaine is sort of relatable in some ways because she's inside (that's the mother character, Elaine), but also in other ways she wants to stay inside, whereas we're all just like, "Oh my God, I need to get out of this house". So I think people will empathise with her, but also find her a bit infuriating, maybe.’
Kokomo is out now through Hachette.
Download a PDF transcript of this episode here.
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Adam Briggs – better known simply as Briggs – is a Yorta Yorta rapper, record label owner, comedy writer and actor. He’s part of the ARIA-winning hip hop duo A.B. Original, and outside of music, he’s appeared regularly in ABC TV shows (Black Comedy, Cleverman, The Weekly with Charlie Pickering). Recently, he’s been a writer for Matt Groening’s animated Netflix series, Disenchantment.
Now, Briggs adds children’s book author to his CV. Adapted from his song, ‘The Children Came Back’ – with illustrators Kate Moon and Rachael Sarra – Our Home, Our Heartbeat is a beautiful picture book that celebrates Indigenous resilience, honours legends past and present, and salutes emerging generations of the oldest continuous culture on earth.
Briggs'You weren’t that yesterday; you’re this today. What could you be tomorrow?'
In conversation with writer, podcaster and Tiddas 4 Tiddas co-founder Marlee Silva, Briggs talks about the importance of children seeing themselves in picture books – and the rise of books (like Young Dark Emu and Welcome to Country) that distil complex conversations into accessible formats.
It’s an uncertain moment for the arts, for writers and for everybody. If you’re in a position to support our efforts to bring you books, writing and ideas from a safe distance, you can make a contribution here. Thank you for your generosity.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Erin Hortle about her novel, The Octopus and I.
The Octopus and I is a stunning debut novel set on the Tasmanian coast that lays bare the wild, beating heart at the intersection of human and animal, love and loss, and fear and hope.
‘The Octopus and I is a novel about a breast cancer survivor called Lucy, who becomes intensely fascinated with some female octopuses that live down at Eaglehawk Neck on the Tasman Peninsula. There's a particular element of them that she's fascinated by, [a] really bizarre localised phenomenon (which isn't necessarily normal octopus behaviour) where these female egg-carrying octopuses try to drag themselves across an isthmus to try to get to the open ocean. [Here] there are sea caves for them to be able to extrude their thousands of eggs, which they then fan water on for up to a couple of weeks until the eggs hatch, and then the female octopus dies.’
The Octopus and I is out now through Allen Unwin.
Download a PDF transcript of this episode here.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Ronnie Scott about his debut novel, The Adversary.
The Adversary follows its protagonist from a long Brunswick winter into the sticky heat of one transformative Melbourne summer.
Ronnie was programmed to appear in our Next Big Thing: Here and Gone Edition, which was unfortunately cancelled as part of our preventative measures to stem the spread of coronavirus COVID-19.
The Adversary is out now through Penguin Random House.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Laura McPhee-Browne about her debut novel, Cherry Beach.
A tender coming-of-age novel, Cherry Beach, introduces a pair of childhood best friends who depart suburban Melbourne to live in Toronto.
'Cherry Beach is a book about two young women who are best friends. They were best friends from childhood and they decide to move overseas, to Toronto in Canada for a few years together, and it's kind of about their journey over there, and a bit about their past friendship.'
Laura was programmed to appear in the Next Big Thing: Here and Gone Edition, which was unfortunately cancelled as part of our preventative measures to stem the spread of coronavirus COVID-19.
Cherry Beach is out now through Text Publishing.
Download a PDF transcript of this episode here.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.
In this episode we’re talking to Ellena Savage about her collection, Blueberries.
In Blueberries, Savage wields a stirring blend of journalism, poetry, polemic and memoir in her pursuit of human truths: the meaning of power and desire, the decisions that make a life, and one’s place in the world.
‘Blueberries, the book, charts some of my travels and my attempts to make a life for myself that supports writing. And that's often meant me living outside of Melbourne, which is obviously a very expensive place to live if you're not a professional. So the book itself is about mobility in all its connotations, so kind of global mobility, through travel, migration, colonisation. It's about class mobility, social mobility, and also [the] physical mobility of women.’
Ellena was programmed to appear in our Next Big Thing: Here and Gone Edition event, which was unfortunately cancelled as part of our preventative measures to stem the spread of coronavirus COVID-19.
Blueberries is out now through Text Publishing.
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'With the #MeToo movement right now, we are finally saying what we don't want as a gender,' Lisa Taddeo has said. 'But we are still not talking about what we do want.'
Taddeo's bestselling book, Three Women, is all about what women want. It's a work of immersive non-fiction, telling the intimate true stories of three American women, and of how their sexual desires have been shaped, distorted, fulfilled and exploited.
Described on NPR as 'a work of deep observation, long conversations, and a kind of journalistic alchemy', Three Women took Taddeo eight years to write. She travelled across the country to be near her subjects for months at a time, to learn about their lives and their personal histories.
With its focus on power, judgement, shame and infatuation, the book has become an international bestseller, sparking impassioned discussion and debate. How do we surprise and disturb others – and ourselves – with what we want? How are our desires deeply idiosyncratic and how are they universal?
In this podcast-only conversation – originally slated to be held in May, in partnership with Sydney Writers' Festival – Taddeo discusses these ideas and more with Sophie Black.
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First Nations writers are at the forefront of the most exciting writing being produced on this continent today, subverting creative forms and decolonising Australian literature.
In this event, four emerging First Nations writers from The Next Chapter writers’ scheme – Jasmin McGaughey, Racheal Oak Butler, Lorna Munro and Meleika Gesa-Fatafehi – discuss the creative process, writing for Blak and settler readerships, and how they respond to expectations of genre, character and identity, with host Evelyn Araluen.
Presented in partnership with the Emerging Writers’ Festival.
This event was originally scheduled to take place at the 2020 Sydney Writers' Festival.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work. Find it on the Wheeler Centre podcast.
In this episode we’re talking to Sean O’Beirne about his debut short story collection, A Couple of Things Before the End.
A bitingly satirical collection, A Couple of Things Before the End employs a remarkable range of voices to explore suburban end times.
'What happens if you give a very white, very male, very working class people sort of a whole country… you know, the idea of Australia as the working man’s paradise, or the lucky country, … [what are] the strangenesses and the distortions that can go along with that? … And if you can’t participate... you’ve gotta have a kind of argument to have with the country and what the hell you’re going to be able to do here.'
Sean was programmed to appear in our Next Big Thing: Australiana Edition, which was unfortunately cancelled as part of our preventative measures to stem the spread of coronavirus COVID-19.
A Couple of Things Before the End is out now through Back Inc.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work. Find it on the Wheeler Centre podcast.
In this episode we’re talking to Kirsten Alexander about her debut novel, Riptides.
Set in Joh Bjelke-Petersen’s Queensland during a time of tremendous social upheaval, Riptides is a gripping family drama about dreams, choices and consequences.
'In some ways I thought it's not a straight line ever from the past to the present… I think our country is still evolving, we're still coming into our own being, and I think we still have a lot to learn about how to treat one another and the space we’re in. But some of the lessons we learnt in the past we just throw away very easily. I'm not sure if other countries do that, but Australia certainly seems to struggle to learn from our past.'
Kirsten was programmed to appear in our Next Big Thing: Australiana Edition, which was unfortunately cancelled as part of our preventative measures to stem the spread of coronavirus COVID-19.
Riptides is out now through Penguin Random House.
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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work. Find it on the Wheeler Centre podcast.
In this episode we’re talking to Wayne Marshall about his debut short story collection, Shirl.
A daringly experimental collection, Shirl plays with white Australian masculinity, especially in suburban and rural contexts, in ways that are fantastical, absurd and comic.
'The collection is quite nostalgic, I guess. I started writing it... from a cancer diagnosis. But also, three months before that [happened], I’d become a father for the first time, so I was really looking back at the kind of world that I grew up in. And it was that crazy, strange, over-the-top Australiana. There’s something absurd about it that has always caught my eye.'
Wayne was programmed to appear in our Next Big Thing: Australiana Edition, which was unfortunately cancelled as part of our preventative measures to stem the spread of coronavirus COVID-19.
Shirl is out now through Affirm Press.
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