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\\u201cI am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak!\\u201d
Haunting stories of fate, dramas of crime, deception, and manipulation building to a sudden and shocking denouement...and, through it all, the sardonic, mocking laughter of \\u2014\\xa0The Whistler!
One of radio\\u2019s most memorable thriller anthologies,\\xa0The Whistler\\xa0was a west-coast favorite for over a decade but, despite two attempts to go nationwide, never was able to achieve the same success as a coast to coast feature. But for listeners across the western states served by the Signal Oil Company, the program\\u2019s eerie theme music opened a weekly window into the very darkest corners of the human soul. It was so popular, in fact, that Columbia Pictures produced eight second-feature films based on the concept, all but one of which starred Richard Dix.
The Whistler\\xa0himself was an omniscient narrator -- the voice of Fate itself, one might suggest, or perhaps of conscience. And his stories revolved around ordinary people, pushed by the pressures of daily life into taking drastic actions. Or perhaps a sudden circumstance, an unexpected twist of life\\u2019s path, suddenly placed these protagonists on a road leading inexorably to their own destruction. Greed, lust, and perfidy of every kind figure in the plots -- and when Fate inevitably catches up with these unfortunate, driven souls,\\xa0The Whistler\\xa0is always ready, at the very end, to see that the knife is properly twisted.
Produced by George W. Allen, with hauntingly evocative musical scores by Wilbur Hatch,\\xa0The Whistler\\xa0was a prime outlet for the cream of Hollywood\\u2019s top radio performers - actors such as Wally Maher, Cathy and Elliott Lewis, Gerald Mohr, Lurene Tuttle, and Betty Lou Gerson, who emphasized skill over star power - as well as announcer Bill Forman in the title role, with Marvin Miller voicing the commercials.
00:00:00.000 = INTRODUCTION
00:01:54.231 = Doctor Operates In Crime (December 04, 1944)
00:31:05.655 = Lie or Consequences (December 11, 1944)
01:00:35.205 = Windfall (December 18, 1944)
01:30:04.209 = Two For The Money (January 01, 1945)
01:59:34.024 = The Body Wouldn\\u2019t Stay (January 08, 1945)
02:28:44.749 = Murder Has a Signature (January 15, 1945)
02:57:55.853 = Seascape (January 22, 1945)
03:27:29.457 = Murder On Paper (January 29, 1945)
03:56:57.604 = Murder Is Legal (February 05, 1945)
04:26:26.519 = Gateway To Danger (February 26, 1945)

SOURCES AND ESSENTIAL WEB LINKS\\u2026
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