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Barry Newman is the mysterious man in the white Dodge Challenger, running away from the cops and his own screwed up life. I discuss the movie as a meditation on motivation, an allegory for the lost soul, and as a Caterpiller promotional film. I compare it (somewhat) with the 1997 version and with Smokey and the Bandit and American Westerns, but mostly with ancient mythology. I boldly suggest that beautiful women can represent both innocence and death, depending on whether they are nude or wearing a cloak and that "J. Hovah" is a little too on-the-nose for a character name. And I use my new CO3U microphone with very good results.