Our Special Subject for August is also our first look at German filmmaking under the Nazis, with two mid-1930s films by left-wing director and future Hollywood auteur Douglas Sirk:\xa0The Girl from the Marsh Croft, based on the novel by Selma Lagerl\xf6f, and\xa0Pillars of Society, based on the play by Henrik Ibsen. We consider the question of how it was possible to make liberal films under these circumstances\xa0and find early evidence of Sirk's interest in "split characters" and unconventional protagonists.\xa0
\xa0
Time Codes:
0h 1m 00s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0 Introductory discussion on Sirk at UFA during the 1933 to 1937 period
0h 13m 15s:\xa0\xa0\xa0\xa0\xa0 THE GIRL FROM THE MARSH CROFT (1935) [dir. Douglas Sirk]
0h 38m 15s:\xa0\xa0\xa0\xa0\xa0 PILLARS OF SOCIETY (1936) [dir. Douglas Sirk]
\xa0
+++
* Listen to our guest episode on The Criterion Project \u2013 a discussion of Late Spring
* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s
* Intro Song: \u201cSunday\u201d by Jean Goldkette Orchestra with the Keller Sisters (courtesy of\xa0The Internet Archive)
* Read Elise\u2019s piece on Gangs of New York \u2013 \u201cMaking America Strange Again\u201d
* Check out Dave\u2019s Robert Benchley blog \u2013 an attempt to annotate and reflect upon as many of the master humorist\u2019s 2000+ pieces as he can locate \u2013 Benchley Data: A Wayward Annotation Project!\xa0
Follow us on Twitter at\xa0@therebuggy
Write to us at therebuggy@gmail.com
We now have a Discord server - just drop us a line if you'd like to join!\xa0