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b'So, after much hype, critique and discussion, the Sight and Sound Greatest films of all-time poll has been published and we have an extensive 2-part episode of The Cinematologists to cover it. Neil and Dario were both invited to contribute a top ten list to the poll, which was an unexpected honour in itself. Not only that, Sight and Sound kindly gave us access to the results early so we could record and release the episode to coincide with the publication of the list. Furthermore, Dario got to speak to Isabel Stevens, Managing Editor of Sight and Sound before the list came out (which comes in part 2).\\nAND, for part 1 of this double feature, Neil is back. Yes, he interrupts his hiatus to lend his astute critical savvy to the results of the poll and to speak about both his own and Dario\\u2019s choices. In the past, we have critiqued the problems of list culture and its potential negative effects on film appreciation and criticism. But in a move, particularly on Dario\\u2019s part, to ameliorate any hypocrisy of rejecting lists while gleefully contributing to \\u201cthe big one\\u201d, we also discuss the positive value of list making as an access point in a chaotic cultural milieu. Of course, we also talk about the expansion of the critics invited to participate in a move towards a greater diversity and the implications this has for the film canon.\\nAnd, of course, we talk about some of the major headlines from this year\'s poll. First and foremost the new number 1 slot taken by Chantal Akerman\\u2019s Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles. We discuss the dynamics around this change, how it relates to other shifts (such as the higher recognition of other female filmmakers such as Claire Denis and Agn\\xe8s Varda) and how they might be received: is it both a long overdue boost for female filmmaking and feminist criticism of under-representation in processes of institutionalisation & canonisation. Or does this reflect a narrow kind of diversity, the promotion of a high-modernist cinema which is open to cries of elitism and inaccessibility? We get into these issues in typical Cinematologists depth along with analysing the other big moves and trends. Finally, we reveal our own lists and deconstruct the contrasting "methodologies" for choosing them. Please enjoy.\\nShownotes\\nLink to the Sight and Sound List Online\\nQuentin Tarantino\\u2019s video archives podcast\\nSilver Screen Video Podcast - with David Thompson\\nFilm Comment podcast on movie list culture and documentary.\\nAgainst Lists by Elena Gorfinkel\\n---\\n\\n\\n\\n\\n\\n\\nYou can listen to The Cinematologists for free, wherever you listen to podcasts:\\xa0click here to follow.\\nWe also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page:\\xa0https://www.patreon.com/cinematologists. You can become a member for only \\xa32.\\nWe really appreciate any reviews you might write (please send us what you have written and we\'ll mention it) and\\xa0sharing on\\xa0Social Media\\xa0is the lifeblood of the podcast so please do that if you enjoy the show.\\n_____\\nMusic Credits:\\n\\u2018Theme from The Cinematologists\\u2019\\nWritten and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing'