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b'What a joy to talk with Andrew Annenberg. Andrew Annenberg invokes a strong sense of the European tradition present within his paintings from Breughel to Dali, but, in fact, his roots have drunk deeper from the well of more ancient civilizations.
From the font of inspiration handed down by the gods and the muses, culture has been bequeathed to the race of man, raising him above the subhumans and giving him his rightful birthright, the ability to express the Divinity within.
In Andrew we partake of a genuine renaissance in the confused area of what fine art really is today. He draws our attention to Nature as a contemplation of our corporeal abode, fascinating, abundant with variety yet ever-changing. He turns our minds within \\u2013 to the fantastic realms where consciousness is un-confined. He brings us to a meditation on that which lies beyond.
In the case of the immediate, tangible environment around us he represents the loftiest of Man\\u2019s achievements, the most noble aspirations manifested as architecture, sculpture, craftsmanship; Man\\u2019s record of his cosmic discoveries.
In the phenomenal universe, Andrew displays Nature\\u2019s own opulences: the most magnificent skies, the grandest mountains, the bluest oceans, the most picturesque waterfalls, the most luxuriant foliage, the most splendid creatures. All is spectacular, a world of superlatives co-existant in one harmonious unification, an amalgamation of the parts to the Whole in a symphonically orchestrated arrangement of a visual incantation in praise of the glory of Creation; a miraculous meeting place of the elements in an interplay of natural forces in a panorama of a wondrous planet our Mother Earth.
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