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We underestimate how difficult it is to live in remote areas, says travel writer Dan Richards. He tells Kirsty Wark how he trekked to high mountain huts and distant snowy cabins for his new book, Outposts. Richards followed in the footsteps of Virginia Woolf, Roald Dahl and Jack Kerouac, who all found inspiration in the wilderness. But just as Kerouac went temporarily mad living on a remote mountainside, so today\\u2019s tourists in the Scottish Highlands and Nordic isles underestimate \\u201chard nature\\u2019s indifference\\u201d.

Icelandic model turned sheep farmer Heida Asgeirsdottir knows how challenging countryside life can be. After an early career as a model in New York, she returned to Iceland to take over her parents\\u2019 sheep farm in a region of volcanoes and elemental storms. But even this distant region needs modern power and infrastructure, and this means a new hydro-electric plant whose owners want to flood her farm.

A family feel stuck in the middle of nowhere in Chekhov\\u2019s searing play Three Sisters. Rebecca Frecknall is directing a new production at the Almeida Theatre, exploring the thwarted ambitions and dreams of a provincial Russian town. Sisters Irina, Olga and Masha long to return to Moscow, but become bogged down in dead-end jobs and trapped by mortgages and marriage.

Chekhov\\u2019s play could easily be set in a British town today, says Sarah O\\u2019Connor from the Financial Times. She looks at the stark problems facing our seaside resorts and post-industrial towns. In her Orwell Prize-winning study of Blackpool, she challenged the idea that our seaside towns lack aspiration and are destined to fail. Now she explains why terms like \\u201cthe Left Behinds\\u201d are dangerously misleading.

Producer: Hannah Sander