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b'The SMO podcast team was at SXSW 2022 with the University of Arizona Wonder House. In this episode, Diana sets out to disentangle the culture of the city of Austin and the hyperconnected projection that is SXSW. Are they in a codependent relationship? What has SXSW done to Austin\'s music scene? Why do even tech-savvy people prefer f2f to online? And what does all this mean for the next frontier of tech experiences, Virtuality 3.0? Interviews with Austin residents and visitors include Thor Harris of Swans, Luke Savisky of the 1990 film Slacker, and the crew of the food truck Cocina de Carnival aka Big Bertha. \\n\\nThis episode has considerable profanity! A censored version will be available at ivoices.org or https://ivoices.ischool.arizona.edu/social-media-and-ourselves.\\n\\nBig thanks to Thor Harris, Eric Redpath, Carlos, Paige Swift, Luke Savisky, and Pri. Also to Ravi, Ratziv, David, Jose Rodriguez and The Cocina de Carnaval Crew and their families. It was awesome being at the Wonder House, so special thanks to Misha, Joe, and the rest of the Wonder House team. Drums by Thor Harris were recorded in the spectacular installation "Volumes" by Ezra Masch. \\n\\nThis episode of Social Media & Ourselves was produced by Diana Daly and scored by Gabe Stultz of the iVoices Media Lab, which is sponsored in part by the Center for University Education Scholarship at the University of Arizona. If you liked this episode, subscribe, tell a friend, and review us wherever you get your podcasts. To learn more visit iVoices.us.\\n\\nImage by Sean Davis https://www.flickr.com/photos/seandavis/13966136676 CC BY NC ND'