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b'A \\u201cone-time refugee from punk and sometime band member,\\u201dTed\\xa0Riederer\\xa0has armed himself with painting supplies, electric guitars,\\xa0ampliers, old LPs, record players, drum kits, hard disk recorders, photography\\xa0equipment, a vinyl\\xa0record lathe, and long-stemmed roses as he\\u2019s ambled\\xa0artistically from the Americas to the Antipodes. His work has\\xa0been shown\\xa0nationally and internationally including exhibitions at PS1, Prospect 1.5, Goff\\xa0and Rosenthal Berlin,\\xa0Nicole Klagsbrun Gallery, Jack Hanley Gallery (San\\xa0Francisco), Marianne Boesky Gallery, Context Gallery (Derry,\\xa0Ireland), David\\xa0Winton Bell Gallery (Brown University), The University of South Florida\\xa0Contemporary Art Museum,\\xa0the Liverpool Biennial, and the Dhaka Arts Center,\\xa0Bangladesh. His Never Records project has traveled from New York, to\\xa0Liverpool, to Derry, to New Orleans, to Texas, and to London, which was\\xa0sponsored by the Tate Modern.\\nhttp://www.tedriederer.com/opening'