BROADCASTS.com

b'"Es cen\\u0161os neskat\\u012bties krievu kino, jo nev\\u0113los tikt uzl\\u016bkota t\\u0101 kontekst\\u0101" - tik tie\\u0161a savos izteikumos ir re\\u017eisore Nat\\u0101lija Me\\u0161\\u010da\\u0146inova, kuras filma \\u201cPasaules sirds\\u201d nupat ieguva R\\u012bgas Starptautisk\\u0101 kino festiv\\u0101la galveno balvu.\\n\\nLai gan s\\u0101kotn\\u0113ji re\\u017eisore bija iecer\\u0113jusi veidot filmu par ekoteroristiem, rezult\\u0101t\\u0101 esam non\\u0101ku\\u0161i glu\\u017ei pret\\u0113j\\u0101 teritorij\\u0101 - \\u201cPasaules sirds\\u201d galvenais varonis ir noma\\u013cas med\\u012bbu su\\u0146u audz\\u0113tavas veterin\\u0101r\\u0101rsts, kur\\u0161 mekl\\u0113 vietu, kur justos ieder\\u012bgs: savas m\\u0101jas, savu \\u0123imeni - patv\\u0113rumu jeb pasaules sirdi.\\n\\nIntervij\\u0101 Krist\\u012bnei Simsonei re\\u017eisore Me\\u0161\\u010da\\u0146inova, kas vair\\u0101k paz\\u012bstama k\\u0101 dokument\\u0101l\\u0101 kino veidot\\u0101ja, ieskic\\u0113 savu \\u012bpa\\u0161o pa\\u0146\\u0113mienu filmas person\\u0101\\u017eu izveid\\u0113, kur\\u0161 t\\u0101pat ir dzi\\u013ci balst\\u012bts dokument\\u0101l\\u0101 kino veides tehnik\\u0101s.\\n\\n"Iepaz\\u012bstu savu iesp\\u0113jamo filmas varo\\u0146u vidi, pavadu taj\\u0101 zin\\u0101mu laiku, k\\u0101 ar\\u012b m\\u0113dzu l\\u016bgt Marinas Razbe\\u017ekinas dokument\\u0101l\\u0101 kino studijas audz\\u0113k\\u0146iem pal\\u012bdz\\u012bbu izp\\u0113tes proces\\u0101," atkl\\u0101j re\\u017eisore. "P\\u0101ris reizes m\\u0113s izmantoj\\u0101m pa\\u0146\\u0113mienu, kad k\\u0101ds dokument\\u0101l\\u0101 kino re\\u017eisors piesl\\u0113dzas scen\\u0101rija izstr\\u0101des procesam, dodoties izbraukumos uz pl\\u0101noto filmas varo\\u0146u vidi, un safilm\\u0113jot diezgan daudz materi\\u0101la, kur\\u0161 dod mums zin\\u0101mu \\u012bsten\\u012bbas saj\\u016btu. T\\u0101d\\u0113j\\u0101di m\\u0113s ieg\\u016bstam lielu apjomu da\\u017e\\u0101du s\\u012bku deta\\u013cu, kuras pa\\u0161i nekad neiedom\\u0101tos, nepaz\\u012bstot \\u0161os apst\\u0101k\\u013cus."\\n\\nT\\u0101pat vi\\u0146ai \\u013coti interesanti s\\u0137iet visu scen\\u0101rija tap\\u0161anas laiku iesaist\\u012bties re\\u0101l\\u0101s dz\\u012bves procesos. "Piem\\u0113ram, rakstot scen\\u0101riju Borisa H\\u013ceb\\u0146ikova filmai \\u201cAritmija\\u201d, gadu tus\\u0113j\\u0101m kop\\u0101 ar \\u0101rstiem, un rezult\\u0101t\\u0101 filmas person\\u0101\\u017eu raksturi, tai skait\\u0101 ar\\u012b filmas galven\\u0101 varo\\u0146a t\\u0113ls, tika b\\u016bv\\u0113ti, apvienojot \\u0161o medi\\u0137u person\\u012bbu iez\\u012bmes - to, k\\u0101 vi\\u0146i run\\u0101, k\\u0101 rea\\u0123\\u0113, ar k\\u0101du p\\u0101rliec\\u012bbu r\\u012bkojas. Kad visa \\u0161\\u012b inform\\u0101cija ieg\\u016bta, uzs\\u016bkta t\\u0101d\\u0101 t\\u012bri juteklisk\\u0101, nevis \\u017eurn\\u0101listikas l\\u012bmen\\u012b, tad jau \\u0161os tip\\u0101\\u017eus var ierakst\\u012bt scen\\u0101rij\\u0101.\\u201d'