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Above Seoul\'s Itaewon district, Colin talks with\\xa0Open Books\\xa0acquiring editor Gregory Limpens. They discuss what kind of foreign literature Koreans like to read, and their loyalty to authors they\'ve already enjoyed; how the mission of Open Books fits into shaping that taste; how he got from growing up in Belgium to bringing foreign literature in Korea (and practicing trademark law somewhere in the middle); what about his first, traveling impressions of Seoul stoked his desire to live there; his impression of the future-orientation of Korea versus the historical orientation of Belgium; the nature of "Brusselization"; how he discovered the traditional Korean sensibility of not showing off (and how he sees that changing); whether the multilingualism of his homeland helped him get in the frame of mind to learn Korean; the widening vase as a metaphor for language acquisition; whether Koreans have any particular expectations of Belgians, and where they fit into the apparent hierarchy of foreigners in Korea; what happens at the Seoul International Book Fair, and why Belgium may never get an invitation as its guest nation of honor; what happens when he tries to recommend a browser something at the Open Books booth, and why that can be a discouraging practice in Korean culture; what he knows about translation that makes him always want to read books in the original language; how "l\'exception fran\\xe7aise" has produced a great deal of literature; how often he meets Korean French-speakers; how a Korean Belgian waffle differs from a Belgian Belgian waffle; his sole moment of homesickness in a decade of life in Korea; the changes in his responses to his own periodic assessment, "Why do I like it here?"; what has made him lose confidence in his grasp of Korean literary taste; why Hitler remains a big thematic name in Europe, but probably wouldn\'t play in Korea; the success of Korean "fables for adults"; his pride in Open Books bringing out titles like Michel Houellebecq\'s\\xa0Atomized, and the literary aejeong he feels for ones like his countryman \\xa0Dimitri Verhulst\'s\\xa0The Misfortunates; how writers react to seeing their novels in Korean translation; how much Korean readers care about book design; how Korean bookstores feel different.