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Tessa and Sam are joined this week by Matt to discuss films from three different eras of the Master of Suspense: Sabotage (1936), Rear Window, and Family Plot.
\\n\\n4:49 - Sabotage (1936)
\\n16:16 - interruption of discussion of Sabotage to discuss of Hitchcock's film-making aesthetic and problematic history
\\n23:35 - discussion of Sabotage resumes
\\n26:58 - Matt's prior experience with Hitchcock's body of work and a discussion of Hitchcock as a auteur and auteur theory
\\n34:03 - Alma Reville and her contribution to Hitchcock's work
\\n38:34 - Rear Window
\\n55:16 - Matt's approach to list-making
\\n1:03:33 - Family Plot