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After our run of later period, more biographical Louis Malle films a few weeks ago we swing back with his first feature length, which is a different sort of master work than Au Revoir les Enfants but still sticks with me. Elevator to the Gallows, or Lift to the Scaffold as the British (and Pat) demand to call it, is a noir murder with a bit of Bunuelian stream of consciousness thrown in and a level of suspense fit for Hitchcock if not Clouzot. And all that name-dropping aside, it’s also just a really good film.