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We return to Truffaut this week, who we haven't seen since we finished the Adventures of Antoine Doinel. In fact this is our first Truffaut film in which Doinel is not a character. Jules and Jim, instead, is a period piece about a trio of friend and lovers whose situation becomes untenable. How Truffaut, and author Henri-Pierre Roche, choose to resolve the untenability is the sticking point of the film for us, particularly because Roche's original novel is "semi-autobiographical" and the ending is one aspect that earns that"semi".