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The year is 1966 and Seijun Suzuki's relationship with his longtime studio Nikkatsu is strained to say the least. Tokyo Drifter left him on double secret probation and barred from using the companies color film stock. Branded to Kill would ultimately get him fired. But between those two brilliant pieces of art comes Fighting Elegy, an anti-"red pill" film attacking toxic masculinity and militarism. Written by Kaneto Shindo who directed Onibaba and, turns out, was a left-wing activist, Fighting Elegy is a farewell to arms and the ideas of manhood, sex, and power that fed authoritarian nationalism that led to nearly 3,000,000 Japanese dead in World War 2. It's also funny -- like Vonnegutianly so -- and shot with all the beautifully off-the-wall style we expect from Suzuki, but in this case those wacky visual choices actually land in a philosophical style, too.