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Stephen Soderbergh not only directed his 2000 drug drama Traffic, but stepped behind the camera as well in order "to get as close to the movie" as possible. That is a weird metaphysical way of describing it, but sure. The film itself, based in part on the Channel 4 series Traffik, paints a sprawling portrait of the US drug trade as it stood -- and in many ways still stands -- at the turn of the century. Other films may do better to condemn the failure of the War on Drugs, but Soderbergh manages to drive home that the current angle just doesn't work.