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Kritik: "The Damned and the Saved" bei der Munchener Biennale
b'Zwei Frauen in einer Gef\\xe4ngniszelle: leidend, gefoltert, verletzt. Die Urauff\\xfchrung von "The Damned and the Saved" am 15. Mai bei der M\\xfcnchener Biennale ist voller Schmerz. Die Oper der schwedischen Komponistin Malin Bang verlangt viel von ihrem Publikum, ist aber trotzdem unterhaltsam.'