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A chamber piece about history which evokes a combination of Rembrandt and an old photograph. We discuss how Joe Wright might be getting short shrift as a director and the excellence of the performances: Gary Oldman, Kristin Scott Thomas, Ben Mendelsohn and Lily James are all marvellous. We discuss how the film is not the life of Churchill but a few defining weeks in his life, and how it depicts the political side of the chaos in Nolan\u2019s Dunkirk.\n\nMike highlights how the cemeteries of Belgium and northern France tell a very different story from the official one in relation to Britain\u2019s \u2018going it alone\u2019 in the two World Wars, and declares that one scene of clearly fabricated fantasy undermines any notion of historical verisimilitude. We discuss how the film\u2019s emotional manipulations are cheap but how one finds oneself responding to the film\u2019s jingoism. We are in agreement that Nigel Farage wants to be Oldman\u2019s man-of-the-people Churchill \u2013 the entire film is rather Brexity.\n\nJos\xe9 would really like to see a film that focuses on the relationship between Clemmie and Winston, played of course by Scott Thomas and Oldman, and there\u2019s a wonderful volume of letters full of sketches of kitties and piggies called Speaking For Themselves that he wishes someone would draw on for a film. (He didn\u2019t say that in the podcast but he wants to make it known here.)\n\nRecorded on 18th January 2018.