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Christopher Goodhall makes his 2nd appearance on this podcast. We discuss our recent collaboration and the work he put into the creation of the new bumper music. Chris then shares the methods he uses to create a score. We talk about the uniqueness of the collaboration between filmmakers and composers. Do film composers need to reside in the same city as the production to collaborate effectively with filmmakers? We explore the answer to this question during this episode. During the break, Chris shares a special treat – a fantastic score that he composed exclusively for this podcast. Chris also mentions the new R-rated sound that he’s developing in 2017. He also shares some of his hobbies.