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b'Her yanda \\xfcst \\xfcste \\xe7\\xf6z\\xfcl\\xfc\\u015fleri resmeden \\xfcrpertici tablolar; \\xe7\\xf6z\\xfcl\\xfc\\u015flere yeni \\xe7\\xf6z\\xfcl\\xfc\\u015fler katan kirlenmi\\u015f duygular; er\\xe2cif i\\xe7inde bocalay\\u0131p duran m\\xfclevves ruhlar; k\\xfcnde k\\xfcnde \\xfcst\\xfcne devrilmi\\u015f \\xfcmitler
ve olup-bitenleri g\\xf6rmeyen, anlamayan \\xf6l\\xfc kalbler,
fel\\xe7 olmu\\u015f ruhlar, \\xf6telere kapal\\u0131 ufuksuz hurda g\\xf6n\\xfcller\\u2026 Kulaklar sem\\xe2v\\xee seslere (mesm\\xfb\\xe2t) kapal\\u0131;
g\\xf6zler, tekvin\\xee emirleri do\\u011fru g\\xf6r\\xfcp do\\u011fru okumada kendine inat; idrakler, \\xe7er\\xe7eveleriyle \\xf6rt\\xfc\\u015fmeyen pozitivizm, nat\\xfcralizm, materyalizm yaveleriyle
mest \\xfc mahmur ve dolay\\u0131s\\u0131yla en parlak hakikatler
k\\xfcsuf i\\xe7inde k\\xfcsurlarla karanl\\u0131klara, karanl\\u0131k ruhlara emanet... G\\xf6r\\xfclen tablo firavunlar\\u0131n zift d\\xfc\\u015f\\xfcnceleriyle simsiyah kesilmi\\u015f, adeta bir leyl-i yeld\\xe2y\\u0131
and\\u0131r\\u0131yor.'