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b"We continue close reading of Act III, but then the last half hour, in response to a series of questions, is about how to interpret drama: what freedom and what constraints are there on how actors interpret? How should we interpret? Taking Dworkin's dictum that we should interpret in a way that makes the work the best possible work it can be, how does that apply to Shakespeare?\\xa0 What is the meaning of canonicity?\\xa0 Something like: a work that is open to lots of possibility for great interpretation. I thought that last half hour or so was interesting."