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This Universal 1937 episode stays paused on the pivotal moment in the studio's history, with another James Whale/Deanna Durbin pairing: Whale's last hurrah, The Road Back, and Durbin's second outing,\xa0One Hundred Men and a Girl. Whale's film, based on a Remarque novel about Germany between the wars (familiar territory for the pod), compromised by Nazi censorship, and mutilated by the studio, may not represent the director's vision, but is the emphasis on the low comedy characters played by Slim Summerville and Andy Devine a fatal flaw or a Shakespearean inspiration? Then we turn to Henry Koster's surprisingly dark depiction of the American obsession with success, a perfectly constructed comedy that makes good use of its star's boundless energy.

Time Codes:

0h 01m 00s:\xa0 \xa0 \xa0 \xa0\xa0 THE ROAD BACK [dir. James Whale]\xa0\xa0\xa0\xa0\xa0\xa0\xa0

0h 40m 14s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 ONE HUNDRED MEN AND A GIRL [dir. Henry Koster]

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Studio Film Capsules provided The Universal Story by Richard B. Jewell & Vernon Harbin

Additional studio information from: The Hollywood Story by Joel W. Finler

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* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

* Intro Song: \u201cSunday\u201d by Jean Goldkette Orchestra with the Keller Sisters (courtesy of\xa0The Internet Archive)

* Read Elise\u2019s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

* Check out Dave\u2019s new Robert Benchley blog \u2013 an attempt to annotate and reflect upon as many of the master humorist\u2019s 2000+ pieces as he can locate \u2013 Benchley Data: A Wayward Annotation Project!\xa0

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