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For our first COVID-19-era Lightbox retrospective episode, we look at the enigmatic cinema of Angela Schanelec. We focus on her two most recent films, THE DREAMED PATH (2016) and I WAS AT HOME, BUT... (2019). Then, in our final, presciently-named Fear and Moviegoing in Toronto segment for \u201cthe duration\u201d, it's the last Bressons of TIFF's anniversary retrospective that we were able to see (LANCELOT DU LAC, A GENTLE WOMAN, and his only (?) comedy, FOUR NIGHTS OF A DREAMER), plus we celebrate the emotional generosity of Coppola's PEGGY SUE GOT MARRIED.

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Time Codes:

0h 01m 00s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 Schanelec Prolegomenon

0h 07m 21s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 The Dreamed Path [German title: Der traumhafte Weg] (2016)

0h 39m 13s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 I was at Home, But\u2026 [German title: Ich war zuhause, aber] (2019)\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 \xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0

1h 22m 28s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0

Pre-Quarantine cinemagoing:

Une femme douce (1969); Quatre nuits d\u2019un r\xeaveur (1971); Lancelot du lac (1974) [all Dir: Robert Bresson]; Peggy Sue Got Married (1986/dir: Francis Ford Coppola) @ The Revue

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* Find Elise\u2019s latest published film piece \u201cMaking America Strange Again: Gangs of New York\u201d in issue #80 Bright Wall/Dark Room*

*And Read Elise\u2019s Writing at\xa0Bright Wall/Dark Room,\xa0Cl\xe9o, and\xa0Bright Lights.*

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Theme Music:

\u201cWhat\u2019s Yr Take on Cassavetes?\u201d \u2013 Le Tigre