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In our second Jennifer Jones episode, we defend William Dieterle's LOVE LETTERS (1945), putting it in the context of 40s psychiatric melodramas and WWII amnesia movies, and consider the good and bad of what Ernst Lubitsch's CLUNY BROWN (1946) has to say about female sexuality and English complacency.

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Time Codes:

0h 1m 00s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 Love Letters (dir. William Dieterle)

1h 00m 28s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 Cluny Brown (dir. Ernst Lubitsch)\xa0\xa0\xa0\xa0 \xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0

1h 31m 37s:\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 Fall Cinemagoing Update

1h 33m 28s:\xa0 \xa0 \xa0 \xa0 \xa0 \xa0Listener Mail\xa0with\xa0Evan Dokos and Todd Murry

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* Find Elise\u2019s latest published film piece \u2013 \u201cElaine May\u2019s Male Gaze\u201d \u2013 in the Elaine May issue of Bright Wall/Dark Room*

*And Read Elise\u2019s Writing at\xa0Bright Wall/Dark Room,\xa0Cl\xe9o, and\xa0Bright Lights.*

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Write to us at therebuggy@gmail.com

Theme Music:

\u201cWhat\u2019s Yr Take on Cassavetes?\u201d \u2013 Le Tigre