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In our final Daniel Day-Lewis Acteurist Oeuvreview episode, we look at a commercial and critical flop, Rob Marshall's\xa0Nine\xa0(2009), a musical based on Fellini's celebrated semi-autobiographical film\xa08 1/2, and a commercial and critical triumph, Steven Spielberg's\xa0Lincoln\xa0(2012), covering the final four months\xa0of Abraham Lincoln's life and especially the process of passing the Thirteenth Amendment. We consider how these roles relate to Day-Lewis's screen persona, then launch into a discussion of his entire career as we each\xa0give our Top 10 Daniel Day-Lewis performances. Has Day-Lewis been "typecast" by critics? And how do his best roles serve his unique qualities as an actor and personality? Find out what we think (and feel free to tell us what you think)!\xa0

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Time Codes:

0h 01m 00s:\xa0\xa0\xa0 NINE (2009) [dir. Rob Marshall]

0h 22m 37s:\xa0\xa0\xa0 LINCOLN (2012) [dir. Steven Spielberg]

0h 50m 04s:\xa0\xa0\xa0 Daniel Day-Lewis Wrap-Up & Top 10s

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* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

* Intro Song: \u201cSunday\u201d by Jean Goldkette Orchestra with the Keller Sisters (courtesy of\xa0The Internet Archive)

* Read Elise\u2019s piece on Gangs of New York \u2013 \u201cMaking America Strange Again\u201d

* Check out Dave\u2019s new Robert Benchley blog \u2013 an attempt to annotate and reflect upon as many of the master humorist\u2019s 2000+ pieces as he can locate \u2013 Benchley Data: A Wayward Annotation Project!\xa0

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