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In an age of technophilic positivism typified by the TED-talk, the smartphone, and the MOOC, why do we still need a shadowy, cobwebby, grave-y form like the Gothic? What darker truths about contemporary life\u2014economic, environmental, political, bodily\u2014can the Gothic mode bring up to the surface? This talk will look at the way authors from around the globe\u2014Korea, Mexico, Chile, Sweden, and the US\u2014make use of Gothic forms and tropes to make literary conventions split apart like the House of Usher and bring other bodies, truths and vistas rushing into view.