Episode 104 Aventine, Aventine

Published: May 14, 2020, 7:35 a.m.


\nWe return to the City of Rome in 456 BCE and follow the ongoing domestic struggles that Rome faces in defining herself in terms of transparency at law.
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\nEpisode 104 - Aventine, Aventine
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\nWith a new crop of tribunes come some important consequences. While in previous years the tribunes have focused on the goal of ensuring that there is a clear and public way for any Roman citizen to access the laws in order to understand them, with new tribunes comes a shift in thinking.
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\nA Return to Redistribution of Public Land
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\nAfter a long hiatus, the issue of public land returns to the tribunician agenda. It's safe to say that things are about to get messy in Rome.
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\nIf there's one thing the patricians never seem to want to budge on, it's negotiating the fair use of public land.
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\nTen Tribunes Means Twice the Representation!
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\nNot only are there new tribunes but there are now plenty more of them representing the plebeians. We'll get a taste of what can happen with a larger group of tribunes. That's a lot of bodies to protect the interests of citizens and we'll see how that magisterial privilege can be deployed.
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\nThe Lex Icilia de Aventino Publicando
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\nWe delve into the nitty gritty of the law passed in this year which is unusual for a number of reasons.
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\nThe Players
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\nConsuls
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\n* Marcus Valerius M'. f. Volusi n. Maxumus Lactuca (pat)* Spurius Verginius A. f. A. n. Tricostus Caeliomontanus (pat)
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\nTribunes
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\n* Lucius Icilius* Lucius Alienus
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\nSources
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\nDr Rad read Livy\xa0Ab Urbe Condita\xa03.31Dr G reads Dionysius of Halicarnassus Roman Antiquities 10.31-32
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\nJ. M. W. Turner c.1820s-1836. Rome, from Mount Aventine. Finding a painting that could do justice to the early Republican Aventine was tough, so we opted for this gorgeous, though much later view back onto nineteenth century Rome instead.
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\nSound Credits
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\n* Sound Effects courtesy of BBC Sound Effects (Beta), Pond5, and Lewi Pilgrim* Final credits: Excerpt from \u2018Ancient Arcadian Harp\u2019 by Cormi
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