Restoration and preservation with Ina Archer and Shivendra Singh Dungarpur

Published: July 19, 2022, 2:56 p.m.

In a recent Film Comment Letter interview, Academy Film Archive preservationist Mark Toscano said: \u201cto me, restoration has a variable definition, because it\u2019s not embodying any specific technique or approach. It is more of a conceptual process by which you\u2019re making sure that the film retains its qualities as a work that was made by a person\u2014especially experimental work made by an individual.\u201d\n\nFilm Comment editors Clinton Krute and Devika Girish wanted to dig a little deeper into Mark\u2019s comments, and into the technically and philosophically challenging ins and outs of film preservation and restoration, so they invited two experts to join the podcast and guide them through the subject: critic and media conservator Ina Archer and Shivendra Singh Dungarpur, founder and director of the Film Heritage Foundation. Both also provide details on some exciting projects they\u2019re engaged in: Ina talks about preserving Robert Goodwin\u2019s independent blaxploitation flick Black Chariot and Jessie Maple\u2019s 1981 drama Will, while Shivendra breaks down the restorations of two major works by Indian filmmaker Govindan Aravindan, Kummatty and Thamp\u0304.