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In her feature on Joanna Hogg\u2019s The Souvenir in the May-June issue of Film Comment, Sheila O\u2019Malley writes,\u201cThe autobiographical origins of The Souvenir are obvious (Hogg doesn\u2019t try to hide them), yet she allows for free-floating associations, creating a kind of space where connections are possible, where there can be a wincing kind of recognition, a remembrance of first love and first heartbreak. The response is a not always comfortable: \u2018Yes. My God, I know that. That is so true.\u2019\u2019\u2019 The film, a self-portrait of the artist as a young woman, is a complex and multi-layered exploration of first love, heartbreak, creativity, family, and class. Film Comment Editor-in-Chief Nicolas Rapold sat down with O\u2019Malley (also author of the FC column Present Tense) and FC contributor and columnist Michael Koresky to discuss the The Souvenir and how Hogg\u2019s previous films Unrelated (2008), Archipelago (2010), and Exhibition (2013) inform her latest.