A discussion of what works and what to watch for when using HDV. Historically Frontline producers have shot on more traditional acquisition formats such as Betacam or Digital Betacam. As low cost formats, like DV, proliferated our producers began to use them as well. These smaller cameras were well suited to second camera work and for use in locations where a larger rig was too conspicuous or inconvenient to use. Initially, we began using the Sony HVRZ1U as a means of shooting SD widescreen material on a natively 16x9 camera. When we began the transition to high definition acquisition in 2006 it was apparent that highly compressed formats, like HDV, would play a significant part in our future. In this presentation we will discuss the ways we have incorporated HDV into our production and post-production workflow. We will discuss what works and what to watch out for when using HDV and we will have ample opportunity for program participants to take part in the discussion.