BROADCASTS.com

Throughout his career as both a photographer and as a professor of Art History, Carl Chiarenza has argued that pictures come from other pictures. By this he means that we are influenced by all of the pictures we\u2019ve seen before and\u2014whether consciously or unconsciously\u2014we use them as models when we create pictures of our own. Chiarenza elaborates on this idea in a 2008 interview with LensWork editor Brooks Jensen:\n\nThe whole idea of pictures coming from pictures\u2014is in my career both as a photographer and historian\u2014has always been central to my thinking about picture-making, and photography in particular. And more my work more particularly. In the past when I taught for some 30 years, I would start every class\u2014no matter what the period or theme was, whether it was Renaissance art or medieval art, twentieth century art or photography\u2014the first class would always involve cave pictures and we would have this discuss that we don\u2019t know where those pictures came from. There are a lot of theories about it, but obviously, the cave people didn\u2019t write anything down, so all we have are the pictures and our assumptions about ceremonies, about animals\u2014either taking care of the spirit of the animals or... Anyway my point--before I go too far adrift!\u2014is that it seems to be that those are the first pictures that we know about. And if we talk about what\u2019s happened since, from my point of view, pictures have always come out of the picture making that started there. Which is to say it has something to with something that is very personal, that is communal, that is time specific, that refers to what they used to call the zeitgeist, and that every generation, it seems to me, reflects on what came before, either negatively or positively, and develops from that. So I don\u2019t say there\u2019s a progression or an evolution or development, but it seems to me that we always, whether we\u2019re thinking consciously about it or not, If we\u2019re making pictures, we can\u2019t avoid that history that\u2019s within us from looking, if not making.\n\nSource: LensWork Interview (2008)