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Fiona Walsh Heinz redefines multi-tasking. Prior to our interview starting, she juggled making snacks and getting her 21-month-old daughter ready for an outing with dad so we could record WHILE growing another human inside her.

NO. BIG. DEAL.

It was inspiring to witness a producer, a mom, a pregnant woman\u2026in her power.

Originally from the Bay Area, Fiona has 14 years of experience in feature films, documentary and episodic television.

She co\u2013produced Chinonye Chukwu\u2019s CLEMENCY which won the Grand Jury Prize at Sundance 2019, Emerald Fennell\u2019s PROMISING YOUNG WOMAN which premiered at Sundance 2020 and Miguel Arteta\u2019s BEATRIZ AT DINNER which premiered at Sundance 2017.

A fellow scorpio, we\u2019ve had similar paths as physical producers earning our stripes in the trenches of indie filmmaking. She\u2019s raw, she\u2019s real, she drops many F bombs. She\u2019s a gal after my own heart.

Fiona gets into the nitty gritty of creative vs physical producing. She opens up about setting out to be a capital P producer and then finding herself in the physical producer track.

She gives an extremely thorough explanation of how a line producer differs from the UPM (unit production manager) role; two jobs that are often done by the same person.

Fiona also dishes on balancing motherhood with production and the advice she wishes she was given when she started out.