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Beginning of Act IV.\xa0 More on Antony vs. "an Antony."\xa0 The latter is an object in the world, has worldly being.\xa0 The former is the extravagant, isolated subjectivity which is the tragic waywardness which is more and more\xa0where he is: in "the heart of loss." If extravagance -- waywardness, wandering outside of any world which is one's own, Binswanger's Verstiegenheit -- weren't more intense than worldliness, if things didn't get more intense as one loses everything, tragedy would be of no aesthetic interest.\xa0 A brief adumbration of the difference between daemonization (for Macbeth)\xa0and extravagance (for Antony).