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In the first of several parts with Fernando Dom\\xednguez Rubio, a professor of communications at UCSD and author of Still Life: Ecologies of the Modern Imagination at the Art Museum, he talks about:
How he got started with the massive eight-year project of this book, beginning with his post-doctoral thesis interviewing numerous people who work at the Museum of Modern Art; how he gained entry into the museum (hint: via the Conservation dept.); the hidden labor that\\u2019s done at the museum, as part of something he calls \\u201cmimeographic labor,\\u201d a process to make objects of \\u2018the same;\\u2019 how most art in the world is in storage \\u2013 it isn\\u2019t seen art \\u2013 which is definitively the case for museums; how much invisible labor goes into what visitors see in a museum, and to what extent that labor, spread around various parts of the museum and its numerous artworks, is sustainable.
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