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b'We\'ve talked about point of view before, but only in general terms: this time we delve into third-person limited in detail, explaining how to use it and when to use it and why.
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\\nWe apologize for the lateness of the post, and the lameness of this episode description: this is what happens when all three of us go to conventions on the same weekend. Expect a cooler update soon.
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\\n[ONE WEEK LATER]
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\\nSo... yeah, that original post pretty much sums it up. Why should you employ third-person limited, as opposed to first-person, or third-person omniscient, or third-person cinematic? What are the pitfalls, and how can you avoid them?
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\\nAudiobook Pick-of-the-Week: Soulless by Gail Carriger. Vampires, werewolves, and parasols in a steamy, punky, bodice-rippy, alternate-history London.
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\\nWriting Prompt: Brandon, Dan, Howard, and Producer Jordo all walk through a room, and each of us sees the room differently.
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