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As a Author,Student of Film,\\xa0 License Cultural Practitioner, and Media Arts Specialist I am a proponent of the theoretical abstract\\xa0 Mise en sc\\xe8ne. When I first became acquainted with the technique Mise en sc\\xe8ne during my academic tenure as a media arts major and a student of\\xa0 film I discovered that metaphorically it\\u2019s\\xa0 application has to do\\xa0 with \\u201cplacing on stage\\u201d in French \\u2013 is a common term in film analysis and criticism circles since all the world's a stage,. \\xa0

Although Mise-en-sc\\xe8ne isn\\u2019t strictly a production term, it\\u2019s definitely something that filmmakers consider throughout the creative process! Think of it as the convergence of many different departments\\u2019 efforts, as guided by the director, culminating in a singular visual impression that impacts and gets analyzed by audiences and critics alike.\\xa0 There are five aspects of Mise-en-sc\\xe8ne that represent an opportunity for global citizens to tell their story visually.\\xa0

Mise en sc\\xe8ne refers to what I see on screen in a film even on the virtual global stage which becomes the film\\u2019s visuals; meaning, and all of the elements that appear on my camera and arrangement.
William\\xa0 Anderson Gittens
Author, Dip., Com., Arts. B.A. Media Arts Specialists\\u2019 License Cultural\\xa0 Practitioner, Publisher, CEO Devgro Media Arts Services
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Gittens,\\xa0 William\\xa0 Anderson\\xa0 Author, Dip., Com., Arts. B.A. Media Arts Specialists\\u2019 License Cultural\\xa0 Practitioner, Publisher, CEO Devgro Media Arts Services ISBN978-1-64570-044-9

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