Episode 12: The Dark Eye: On the Films of Rodney Ascher

Published: May 2, 2018, 2 p.m.

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American filmmaker Rodney Ascher is a master of the weird documentary. Whether he be exploring wild interpretations of a classic horror film in Room 237, bracketing the phenomenon of sleep paralysis in The Nightmare, studying the uncanny power of the moving image in "Primal Screen," or considering the sinister power of a kitschy logo in "The S from Hell," Ascher confronts his viewers with realities that resist final explanations and facile reduction. In this episode, Phil and JF follow Ascher\'s films into the living labyrinth of a strange universe that isn\'t just unknown, but radically unknowable.

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REFERENCES

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American filmmaker Rodney Ascher, director of "The S from Hell", Room 237, The Nightmare, and "Primal Screen"
\\nJames Hillman, The Dream and the Underworld
\\nThe Duffer Brothers (directors), Stranger Things (web TV series)
\\nAlan Landsburg (creator), In Search Of... with Leonard Nimoy (American TV series)
\\nErrol Morris (director), The Thin Blue Line
\\nAnn and Jeff Vandermeer (editors), The Weird: A Compendium of Strange and Dark Stories
\\nBritish speculative writer Michael Moorcock
\\nLord Dunsany, The Gods of Pegana
\\nArthur Conan Doyle, The Hound of the Baskervilles
\\nStanley Kubrick (writer-director), The Shining
\\nRichard Attenborough (director), Magic
\\nSandor Stern (writer-director), Pin
\\nFreud, "The Uncanny"
\\nFreud, Beyond the Pleasure Principle
\\nDavid Lynch (writer-director), Lost Highway
\\nFrench psychoanalyst Jacques Lacan
\\nDuncan Barford, Occult Experiments in the Home: Personal Explorations of Magick and the Paranormal
\\nJF Martel, "Ramble on the Real"
\\nPhil Ford, "Birth of the Weird"
\\nAmerican astronomer Carl Sagan
\\nCharles Taylor, Sources of the Self: The Making of the Modern Identity
\\nRen\\xe9 Descartes, Meditations on First Philosophy
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