Bedouine
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At a time when raucous, highly produced pop, amplified arena rock and jittery electronic jams are the musical currency of the day, Azniv Korkejian is a tranquil pond. The Hollywood-by-way-of-Aleppo folk singer is a throwback strummer whose tour de force single \\u201cSolitary Daughter\\u201d contains what might be her mission statement: \\u201cI don\\u2019t need your company to feel saved\\u2026 I don\\u2019t want your pity, concern or your scorn/ I\\u2019m calm by my lonesome/ I feel right at home/ Leave me alone to the books and the radio snow.\\u201d
Think about how punk rock that notion is as you ponder the latest outrage from Washington or headline about a deadly natural disaster. Fittingly, Korkejian has adopted Bedouine as her stage name, a feminized version of the word used to describe nomadic Arab tribes who traditionally live in the deserts of North Africa and the Middle East.
And, as you will notice when she plays at this weekend\\u2019s 2017 MidPoint Music Festival and visits WCPO\\u2019s Digital Lounge on Saturday morning for a Lounge Acts set, she is a one-woman tour de force who doesn\\u2019t need rattling studio tricks to drive a point home. A serene singer whose calm nature is an antidote to the over-caffeinated popular music of the day, she chose the name as a symbol of her own peripatetic life.
"Moving around so much caused me at some point to feel displaced, to not really belong anywhere and I thought that was a good title,\\u201d she explains in her bio. Born in Aleppo, Syria, to Armenian parents, Bedouine grew up in Saudi Arabia before her family settled in Boston and then Houston. Los Angeles; Lexington, Kentucky; Austin, Texas; and Savannah, Georgia were all stops along the road before she moved back to Hollywood to work as a dialogue and music sound editor.
"I just kept meeting the right people, who were professional musicians, and even though they were going on these big legitimate tours, they were still coming back to this amazing small scene, still demoing at home, and I immediately felt welcomed to join in on that. L.A. actually made me less jaded," she says.
It was the constant motion, the inhalation of so many cultures, sights and sounds that inspired the classic 1960s folk-meets-1970s-country-soul sound on her self-titled debut, which was released in July on singer Matthew E. White\\u2019s Spacebomb label. The gauzy album has hints of bossa nova and clear inspirations from Joni Mitchell\\u2019s forthright storytelling to Brazilian samba singer Astrud Gilberto\\u2019s groove and the melancholy of Nick Drake and Leonard Cohen.
It was crafted with a crack team of side players, including longtime Beck/Tom Waits guitarist Smokey Hormel and bassist/producer Gus Seyffert (Beck, Norah Jones). But it is 32-year-old Bedouine\\u2019s clear-eyed, confident storytelling that rises above the lush arrangements.
"While the rest of the record dazzles with sweetness\\u2014\'like a lamp in the light of day/Drowning in summer rays,\' as she puts it\\u2014the centerpiece is a haunting protest song," writes Sam Sodomsky for Pitchfork of the song emotional \\u201cSummer Cold,\\u201d Bedouine\\u2019s reaction to America\\u2019s role in the chaotic civil strife in her native Syria. To drive the point home, the singer uses sound samples she found to sonically recreate her grandmother\'s street in Aleppo.
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Set list:
- One of These Days
- - interview -
- Nice and Quiet
- Solitary Daughter
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