Glance at Culture - A Play For the End of the World: Jai Chakrabarti on the Warsaw Ghetto, India, Cultural Exchange and Social Justice

Published: Feb. 20, 2022, 6 a.m.

b'

For more information, please visit the website of Jai Chakrabarti.

SHOW NOTES:

2:15 Chakrabarti\\u2019s inspiration for A Play For the End of the World

3:30 Rabindranath Tagore\\u2019s play The Post Office

8:00 memoir by survivor of Janusz Korczak\\u2019s orphanage titled The Last Korczak Boy

8:30 injustices in 1942 Warsaw\\xa0

10:00 The Post Office performed in 1940s Warsaw to uplift compared with exploitation through its performance in 1970s India\\xa0

11:15 Chakrabarti\\u2019s inspiration from Tagore\\u2019s play\\xa0

12:20 theme of intergeneration trauma in Chakrabarti\\u2019s book

13:20 Bessel van der Kolk\\u2019s The Body Keeps the Score and Rabbi Dr. Firestone\\u2019s Wounds Into Wisdom: Healing Intergenerational Jewish Trauma

14:30 assumption that gravity of the book would be 1942 Warsaw

16:00 research for book

17:15 Jhumpa Lahiri\\u2019s The Lowland

17:40 Lawrence Langer\\u2019s collection titled Art From the Ashes

18:25 character journaling process

19:30 questions asked of characters

21:00 reader feedback

22:30 value of art in times of conflict as a healing balm

23:30 Tagore poem translated into a Yiddish song in 1930s Warsaw

24:45 challenges of dual timelines in A Play For the End of the World

26:00 thematic repetition edited out

27:15 most revised scene during escape from train en route to Treblinka

28:30 social justice aspect of A Play For the End of the World

29:30 recommendation of collected short stories by Tagore

30:00 A Home In The World by Tagore

30:30 The Foreign Student by Susan Choi

30:50 The Lowland

31:40 use of a system in drafting a dual timeline novel

32:15 reason for writing story as a novel versus short story

33:30 death of Archbishop Desmond Tutu

33:40 music of Miriam Makeba and Hugh Masekela used to end apartheid

34:00 each piece of art can allow for conditions by which social change can occur

35:40 Playwright Safdar Hashmi whose theatre work in the 1960s and 70s directly advocated for economic and social improvement for the laborers of India



Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

\\xa9 Stephanie Drawdy [2024]

'