DP Robert Yeoman on Shooting With Wes Anderson
b'Robert Yeoman has worked with Wes Anderson since his very first film Bottle Rocket and shares the ins and outs of what it takes to get those very specific Wes Anderson shots...\\n\\nIn this episode, we talk about\\u2026\\n\\nRobert\\u2019s entry into the world of being a cinematographer\\n\\nRobert\\u2019s experience shooting low budget commercials and 25 day, $2 million movies\\n\\nHow Wes and Robert ignored the studio about what lens to use in filming Bottle Rocket\\xa0\\n\\nWhat it\\u2019s like to work on a Wes Anderson film: small crews, storyboarding, specificity, stress, and schedules\\xa0\\n\\nShooting French Dispatch and Wes\\u2019 extensive movie prep, film library, and testing film stocks\\xa0\\n\\nThe value of shooting on film, especially in black and white\\xa0\\n\\n\\nLinks to Resources:\\nThe French Dispatch: https://www.searchlightpictures.com/thefrenchdispatch/\\n\\nPlease like us on Facebook: https://www.facebook.com/nofilmschool\\n\\n\\nFollow us on Twitter: https://twitter.com/nofilmschool\\n\\n\\nSubscribe to our YouTube channel: https://www.youtube.com/user/nofilmschool\\xa0\\n\\nCheck us out on Instagram: https://www.instagram.com/nofilmschool\\n\\n\\nAsk us questions at editor@nofilmschool.com!\\nLearn more about your ad choices. Visit megaphone.fm/adchoices'