BROADCASTS.com

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8/1/2015

It\\u2019s a special celebration of our 100th Episode. In this one, Ryan, Jose, Rob, and our honorary Podcast Host David Anderson ask Clive Barker some questions, and he was kind enough to write us his responses. So to celebrate, we\\u2019re sharing the video we sent Clive with our questions, our podcast discussion of the answers, and here in this post, the whole thing written in interview form. We\\u2019re so proud to have reached our 100th episode!

Hi Clive! First we\\u2019d like to thank you for all the wonderful work you\\u2019ve given us over the years, and to the team at Seraphim & Century Guild for allowing us a glimpse into your studio. People like Mark, Ben, Eric, Thomas and everyone else who works over there to bring your fantastic creations to the widest audience possible, for that they have our thanks!By now, the Scarlet Gospels are out, and the Clive Barker Podcast (@Barkercast) is very proud to have reached 100 episodes where we discuss with and entertain fellow fans of your work. Thank you for granting us this brief interview. So now, on with the questions:

Ryan Danhauser: Jose and I were there, cheering for you at the L.A. screening of Nightbreed Directors cut. At that premiere, you mentioned that seeing the movie restored and the love for it after all these years, it was tempting to go back to directing again. We love all your different kinds of work, or we wouldn\\u2019t be doing this podcast, but My question is, do you miss the collaborative art, like plays and movies?

Clive Barker: Firstly, my sincerest gratitude that you were cheering for Nightbreed. Hearing the audience, quite frankly, erupt with applause when the credits rolled brought tears to my eyes and mended a hole that had been in my heart for 25 years.
Yes, I do miss film very much, and I have every intention of returning to it someday. Truly though, what myself, Mark and Ben do at Seraphim are all collaborative efforts. So, when you ask if I miss the collaborative arts, the answer is no, because I am always collaborating.\\xa0

Ryan Danhauser: We were very proud of the way Occupy Midian turned out, but I had serious doubts in the Hollywood system and that we would be successful. Knowing now that movie studios can actually listen to your readers / enthusiasts \\u2014 If you could turn the fan movement toward something else (some other project that was unjustly handled or needs a second chance) what would it be?

Clive Barker: You know, I found myself wondering that very thing. The honest answer is, while there are plenty of projects I\\u2019ve been associated with that I would love to get the opportunity to revisit or remaster, it would be greedy of me to ask for more than one miracle in a lifetime. So many people worked so hard to bring the Director\\u2019s Cut of Nightbreed to fruition, and their tireless efforts to do so are appreciated beyond words. They achieved the impossible in assembling the version of Nightbreed that I wanted people to see 25 years ago, and to expect, or even desire, that kind of lightning to strike twice would be incredibly selfish of me. Nightbreed was the one that I dreamed to save for 25 years. Mark and Andrew Furtado and everyone at Scream Factory, and countless others, made that dream a reality. It\\u2019s far, far more than I could have asked for, so I daren\\u2019t ask for it again.
My real hope, now that it has been proven with Nightbreed that such a large scale rescue can be achieved, is that other artists who have felt that their works have been compromised may now have a method of bringing their original visions to the world.

Jos\\xe9 Armando Leit\\xe3o: Once I heard you reminisce in conversation with Rick Kleffel from the Agony Column about your Irish paternal Grandmother Florence, and the tales she would tell you and your brother Roy, involving colorful characters like Liverpool\\u2019s Spring-Heeled Jack, as she drank warm Guinness and ate tripe in milk & onions by the open fire. Would you say your grandmother\\u2019s stories played a role in shaping your early love for the fantastic?

Clive Barker: Very much so. Keep in mind that my Grandmother first told me the story that would eventually become The Forbidden, and then Candyman. She was a very dry storyteller, my grandmother. She told stories with the same tone in which most read a grocery list. There was no emotion when she told stories, no sweeping hand movements, no grandeur. But I learned from her that words, regardless of the way in which they are spoken, have a remarkable amount of impact.

Jos\\xe9 Armando Leit\\xe3o:Liverpool was described by Jung as a \\u201cdirty, sooty city\\u201d but also as \\u201cthe pool of life\\u201d, being a port on the Mersey full of ships, and consequently sailors. I\\u2019ve heard that your paternal grandfather was a sailor, and sailed to the Far East. Is it true that he brought back some Japanese puzzle boxes from his travels, and that these influenced your ideas for Hellraiser\\u2019s Lament Configuration box?

Clive Barker: Yes, that is entirely true. I remember that puzzle box sitting on the mantle in my home in Liverpool. \\xa0Even after I had solved it, and seen that there was nothing inside, my imagination ran wild with the possibilities of what\\xa0could\\xa0have been in there.

David Anderson: The one burning question I\\u2019ve had lately is about Scarlet Gospels. I was wondering why the book is now leaner and meaner than the massive Imajica sized tome it was at the penultimate stage. Is it because a lengthier stay in that dark hell would be too oppressive? Not that the novel feels short or anything, just wondering if that figured into the final book, and if it\\u2019s ever painful for you to trim large sections of his written work.

Clive Barker: I was never worried about oppressing my audience, because I know that my fans, and fans of fiction of this kind, are more than happy to wallow in the depths for a long time. But, \\xa0I\\u2019ve written a lot of long books, and really I didn\\u2019t want this one to be overly long. I wanted it to be a short, sharp and effective kick to the gut.

Rob Ridenour: I\\u2019ve been getting into more of your artwork this past year, and as I\\u2019ve studied it, what I love most about it is how the images you create have allowed my own personal imagination to grow and expand beyond what my normal eyes want to see in front of me. Is it satisfying for you as an artist to have the audience become a part of your art rather than just be a spectator?

Clive Barker: I adore the fact that people find their own meanings in my art. When I paint, I myself rarely have any idea where it is going. By the time a painting is finished, I usually take a step back from it and ask myself, \\u201cWho is this? Where do they come from? What do they love, or fear? What turns them on?\\u201d I frequently show my paintings to friends before I have even figured out what they are myself, and I am always delighted to hear what they see in the painting. Any art, by the simple act of observing it, becomes your own. Different people see different things and their imaginations guide them to a solution that pleases them in one way or another. So, the short answer: Yes, I love when the audience uses my paintings as a catalyst to their own imagination.

Rob Ridenour: In a lot of your stories objects always seem to have a magical quality to them like the box from Hellraiser or the carpet from Weaveworld. Why are objects given such power in your stories?

Clive Barker: Because objects do have power. Think of the memories associated with objects in your very own home. Don\\u2019t you own things that, just by the very act of looking at them, transport you into vivid memories of how, why, and when you acquired them? I know I do.\\xa0

News\\xa0since last Podcast:

Waxwork Records LP of Nigthbreed is on sale NOW!!!
Leviathan Shipping Update!!!\\xa0(All Leviathan dvds ordered from 16.07.15-9.08.15, WILL NOT BE SHIPPED UNTIL 10th August, 2015)

Join Clive Barker Society Today!!!

Midian Unmade Signing!!!\\xa0(Dark Delicacies\\xa0will be holding a signing of the upcoming release of\\xa0Midian Unmade: Tales of Clive Barker\\u2019s Nightbreed\\xa0at their store, \\xa0August 1st at 2 pm\\xa0.\\xa0)

Review \\u2013 Leviathan: Extras (Disc 3)

Paul Kane gives Update on Monsters!!!\\xa0(According to the Alchemy Press newsletter, there are only a few hardbacks of Monsters left over from the launch)

Retro Review: Hellbound: Hellraiser II\\xa0(9.5/10)

Scarlet Gospels Deluxe Edition Update!!!

Century Guild Announces Clive Barker\\u2019s Next Exhibit!!!

Midian Unmade to be released this Tuesday!!!

Del Howison Interview on the Making of Midan Unmade!!!

Retro Review: Hellraiser III: Hell On Earth\\xa0(6/10)

Mark Miller to appear as Special Guest at StokerCon 2016!!!\\xa0(May 7-10)

web\\xa0www.clivebarkercast.com

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