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Published: Jan. 17, 2022, 1 p.m.

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In this episode Claudia talks to Cheryl Tipp about sound archives, how they are managed and the ways in which animal studies scholars might use them in trying to research animals. Together they think about why some sounds are included in national archives more than others as well as how recordings of nature and animal voices are valued.\\xa0

Date Recorded: 1 December 2021

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Cheryl Tipp is the British Library\\u2019s Curator of Wildlife & Environmental Sounds. With a background in zoology and library services, Cheryl has spent the past 16 years looking after the Library\\u2019s world-renowned collection of 300,000 species and habitat recordings. She has worked extensively on projects that encourage the creative reuse of archival content, from student videogames to short films from emerging filmmakers, and has written widely on the history of wildlife sound recording. Connect with Cheryl on Twitter (@CherylTipp).\\xa0

Featured:\\xa0

Environment and Sound Archiveat the British Library; Grey Wolfby Tom Cosburn; Haddock by A.D. Hawkins; \\xa0Animal Language: How Animals Communicate by Julian Huxley, The Sound and Vision Blog, The Zooniverse Project; Wildlife Sound Recording Society; Seaspiracy; What a Fish Knows by Jonathan Balcombe; Recording of the Ivory Bill Woodpecker by Arthur Allen;\\xa0

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The Animal Turn is part of the \\xa0iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and Instagram

A.P.P.L.E
Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E)

Sonic Arts Studio
The Queen\\u2019s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970 by David K

Sonic Arts of Place Laboratory (SAPLab)
The SAP Lab provides workspace, recording equipment, computer software/hardware and a listening stat

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The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of iROAR Network. Find out more on our website.

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