Dvorak Symphony No. 8
Bucolic. Sunny. Cheerful. Joyous. Folksy. Ebullient. Thrilling. These are all words that I found while researching Dvorak\u2019s 8th symphony. Dvorak\u2019s gift for writing the most gorgeous of melodies is on full display in his 8th symphony, a piece that has been charming listeners ever since its very first performances. It is, on its surface, an uncomplicated piece, bursting at the seams with melody after melody after melody, almost mirroring one of Brahms\u2019 greatest one-liners, where he referred to his summer country home as a place where melodies were so heavily present thatt one had to be careful to avoid tripping on them! The overriding characteristic of this 8th symphony is joy, from its childlike key of G Major, to its raucous use of folk music, and even its smiling through tears slow movement.
Very often on this show I try to take pieces that are quite complicated and break them down for you to show you how to follow their twists and turns despite their complexities. But today, I\u2019m going to do the opposite. Today, I\u2019m going to take a piece that is, on its surface, quite simple, and I\u2019m going to show you how this symphony is not quite as simple as it seems. It is a piece full of invention and of the scintillating energy of trying out new ideas. As Dvorak said, he would try to make this symphony \u201ddifferent from the other symphonies, with individual thoughts worked out in a new way.\u201d So today on the show we\u2019re going to talk about how this symphony is different from other symphonies, and also how Dvorak constructs his chains of melodies that add up to the joyful whole of this piece, though tinged with the melancholy that is almost always present with Dvorak. Join us!