Now I will believe that there are unicorns... - Actor; Elaine Hudson

Published: Nov. 23, 2022, 7 p.m.

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Elaine Hudson is an actor/director/producer/teacher. She trained at NIDA (National Institute of Dramatic Art) and has worked in theatre, film and television.

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Directing credits include Endgame (Lookout Theatre); The Lady from Dubuque (Downstairs Belvoir); Poles Apart (Stables Theatre); The Death of Peter Pan; After the Fall (Associate Director), Relative Comfort, Summer of the Seventeenth Doll, Gross Indecency/The Importance of Being Earnest and Seven Little Australians (new theatre); The Man Who Came to Dinner (Genesian Theatre), A Touch of Paradise (Downstairs Belvoir) and  Young Dramatists \\u2013 Page to Stage (Co-Artistic Director 1999 \\u2013 2013 ), Heir Raising for Mardi Gras 2009 and Associate Director on Trapped in Mykonos, Downstairs Seymour 2013.

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Acting credits include roles for Sydney Theatre Company, including a celebrated Elizabeth Proctor in Richard Wherret\\u2019s often mentioned The Crucible; new theatre; Company B; Griffin Theatre ; Queensize Productions (Dacia Maraini\'s Mary Stuart \\u2013Excellence Award from International New York Fringe Festival); Cumulus Productions (Mother Teresa is Dead, The Women of Lockerbie, Box and Quotations from Mao Tse-Tung).

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In 2009 Elaine performed in A Streetcar Named Desire, directed by Liv Ullmann, for the Sydney Theatre Company, touring to Washington and New York.

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In 2010, at Teatro Cortile in Bolzano, Italy, Elaine premiered a group devised solo performance inspired by life and work of Emily Dickinson.  A residency at Bundanon was followed by a second performance of this work at the Adelaide Fringe in 2012.

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In 2012, Elaine took part in a performance of poems of Miyazama Kenji at Theatre X (Cai) in Ryogoku, Tokyo, directed by Roger Pulvers.

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Film and Television work as an actor includes Cross-Life (Sydney Film Festival), Dying Breed (Tribeca), The Disappearance of Azaria Chamberlain, Joh\\u2019s Jury (AFI Best Actress Nomination), All Saints, White Collar Blue, Grassroots, Heartbreak High, Chandon Pictures and Rake.

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It is indeed a rich tapestry which Elaine has woven in her pursuit of artistic endeavour. She is passionate about all forms and her academic investigation of each equips her with extensive knowledge and a broad experience of theatre-making.

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I adore any encounter with Elaine, so I cannot wait to share this STAGES conversation with you, so you can see exactly what I mean.

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The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).

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www.stagespodcast.com.au

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