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\\nThe story of recorded sound--the technological developments, the humans that made them happen and their impact on society, from the phonograph to LPs, EPs and the recent resurgence of vinyl.
In\\xa0Into the Groove,\\xa0vinyl collector and music buff Jonathan Scott dissects a mind-blowing feat that we all take for granted today--the domestication of sound. Thomas Edison\'s phonograph, the first device that could both record and reproduce sound, represented an important turning point in the story of recorded sound, but it was only the tip of the iceberg, and came after decades of invention, tinkering and experimentation. Scott traces the birth of sound back to the earliest serious attempts in the 1850s, celebrating the ingenuity, rivalries and science of the modulated groove.
He examines the first attempts to record and reproduce sounds, the origins of the phonograph, and the development of commercial shellac discs. Then he divulges the fascinating story of the LP record, from the rise of electric recording to the fall of 7-inch vinyl, the competing speed and format wars, and an epilogue that takes the story up to the present-day return of vinyl to vogue.
Into the Groove\\xa0uncovers tales of intrigue and betrayal, court battles and lesser-known names who are often left out of most histories. Discover a new appreciation of the not-so-simple black disc that holds a special place in the history of music and sound.\\n\\nJonathan Scott is a music writer and self confessed astronomy geek. Formerly a contributing editor to\\xa0Record Collector\\xa0magazine, he has edited books about Prince, Cher and the San Francisco psych explosion, and written about Nirvana, the Pogues, the Venga Boys, Sir Patrick Moore and Sir Isaac Newton, in a variety of magazines. He received his first telescope aged eight, using it to track Halley\\u2019s Comet in 1986. Having followed Voyager\'s planetary fly-bys throughout his childhood, he first got to write about the missions in 2004. If he\'d been in charge of the Voyager Golden Record, aliens would assume humanity had three chords.\\n\\n\\n