SOPP375: Why the focus on using fingerings inspired by these older keyboards?

Published: Jan. 9, 2019, 6:59 a.m.

b'This question was sent by Howard and he writes:\\n \\n\\u201cHello Vidas,\\n\\nHappy New Year, and I am wishing you all the best for Total Organist in 2019. I noticed and appreciate the program you did on piston programming for larger modern organs. I have another question inspired by today\'s topic on "I cannot use someone else\'s fingerings". This is EXACTLY my problem that is holding me back from becoming a full subscriber to "Total Organist". But my question is more direct and I am hoping you will consider it as a program topic or as a direct answer to me, your choice :-) Basically, as I understand it, the fingerings for Early Music which, to be honest, is 90% of the material that you offer for study, those fingerings are for baroque style keyboards which are much shorter than AGO spec keyboards. I am wondering why the focus on using fingerings inspired by these older keyboards?\\n\\nI\'d say that 99% (seriously) of the music that I own does not have fingerings. One of the exceptions is a Kalmus edition of several Mendelssohn works including all six Sonatas. I\'ve spent the most time with Sonata #4 in Bb. The fingerings suggested and the fingerings that make sense to me are not even from the same planet! Especially the 3rd movement. The way the Kalmus editor fingered it, the running figure in the left hand is entirely independent from the right hand. Completely. I\'ve worked very hard on doing it this way but my natural inclination is to pass notes back and forth between the hands and I can do this and still preserve the independence of the polyphony. I know that you have fingered the Widor Toccata and a few other modern works, and I am assuming you use \'modern fingerings\' for those, but I can\'t help but wonder why you don\'t just make life easier for yourselves and use modern fingering for everything? Is there really something to be gained by using Early Fingering at all in the 21st Century, especially for Bach who, it must be said, transcended his time period.\\n\\nHoward\\u201d'