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On the eve of the BAFTA awards, film critic Peter Bradshaw presents a personal selection of music from cinema and beyond: from Hannibal Lecter's favourite Bach, to Katharine Hepburn as Clara Schumann, and a Handel aria used in a chilling Michael Haneke horror film.\\nPlus Peter's memories of his days at Cambridge University alongside star student George Benjamin, and his own youthful endeavours with composition lessons and the classical guitar.