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b'For Video Edition, Please Click and Subscribe Here:\\xa0https://youtu.be/BWd1atlJV2g\\n\\nIn 1983 and barely out of high school, 2 teenagers, known to become The Latin Rascals had more ideas than dreams in the music business., Albert Cabrera and Tony Moran became a new kind of DJ collective. The New York Puerto Rican and Colombian duo grew up in the artistic melting pots of both Brownsville Brooklyn and Spanish Harlem. New York provided all sorts of inspiration from the creative pool of talent that surrounded the barrios of East Harlem and Brooklyn apartment projects. The friends teamed up after meeting at World Renowned Downtown records, where impoted dance music was sold and DJ\\u2019s came from all over spent time there. Once teamed up after discovering that we were looking to DJ in new ways of blending and overlaying multiple tracks. Each loved playing local playing block parties and selling mix tapes to promote themselves and did not realize that they were revolutionizing the art of mixing and editing without any former technical education. Their popularity grew so quickly that this noticeable new style of mixing was exactly what the radio programmers from the top radio stations in NYC. DJing on their own mix shows for 98.7 Kiss and then WKTU as featured for the historic afternoon mixshow, Paco\\u2019s Supermix, Tony and Albert were living more than a dream. An Artist/ Producer and one of the greatest remixers of all time, Arthur Baker (Hall & Oates/ Diana Ross) brought the Latin Rascals in right away to apply that exact Latin Rascal editing style to Arthur\\u2019s dance remix of \\u201cBorn In The USA\\u201d by Bruce Springsteen and with his musical involvement in the BEAT STREET MOVIE sound track with producer Harry Belafonte.'