Curtis Cook Throws Curveballs
b'Comedian Curtis Cook excels at a kind of curveball - unassuming riffs that steer you right where he wants you.
Cook has been on fire lately, telling tales on his own post-feminist angst, calling out racial hang-ups, and generally skewering progressive Portland. He\\u2019s co-hosting several showcases around town, including Earthquake Hurricane and the new Do What You Love show at We Work. And he\\u2019s writing columns for Willamette Week.
We sat down with Curtis to talk about how working in Portland has affected his writing and style. Spoiler alert: this is the extra-long version of our conversation.
Just a few highlights:
On why Oberlin was good training for working stages in Portland: I grew up outside of Cleveland in a small, relatively conservative town. I spent a lot of time thinking one day I\\u2019d grow up and move to a place full of liberals and hippies and they\\u2019d get it. And going to Oberlin showed me that liberals and hippies can also be awful people. It was just a lot of people screaming about their beliefs, having very important meetings about nothing. We were all going through different phases \\u2014 it\\u2019s college. Some people decided \\u201cI\\u201d-statements and trust falls were their thing. I decided Old Crow and PBR were my thing, and that I should have gone to a different school.
On how Portland has changed his performance style: I\\u2019m more relaxed. Before\\u2026there was this big push. We were post Richard Pryor, post-Bill Hicks, post-Lenny Bruce\\u2026 everyone started leaning toward social consciousness [in stand-up]\\u2026 I got suckered into this feeling that stand-up was inherently brave. Then I moved to Portland and I realized that it\\u2019s only brave if you\\u2019re taking your ideas to people who don\\u2019t necessarily agree with you.
On keeping his work fresh:
I\\u2019ve been doing stand-up for a little over five years now, which is nothing. It\\u2019s a drop int he bucked. But what I\\u2019ve started to realize is the performative aspect of [stand up] should be able to change for every performance. Maybe I tell this joke every time, but every single time, a person in one of the front three rows reacts and I can talk to them for thirty seconds. That thirty seconds is the magic of the performance for me. That\\u2019s thirty seconds you\\u2019ll never be able to duplicate. That\\u2019s something that\\u2019s just for you and the audience.
Curtis Cook is part of seven showcases at the Bridgetown Comedy Festival \\u2014 five intense days of nonstop comedy with performers from around the country. It runs June 1st through the 5th. Check him out.'