Sheridan Palmer: Disequilibrium - Presence/absence in the art of Tony Woods (Histories and Theories of Sound)
b'During the 1960s the Tasmanian artist Tony Woods (1940\\u20132017) emerged as a rare talent in the Australian art scene. In this lecture Sheridan Palmer considers problems of inclusion and exclusion and why a talented artist like Tony Woods became peripheral. Palmer is an art historian, curator and biographer, who has published extensively in art and literary journals.\\n\\nhttps://liquidarchitecture.org.au/events/tony-woods\\n\\nHistories and Theories of Sound\\n4 October 2018\\nBuxton Contemporary, Southbank\\nPresented by Liquid Architecture, Discipline and Buxton Contemporary\\n\\nImage: A 1970 paint\\xading by Woods, \\u200b\\u2018Pos\\xadi\\xadtive neg\\xada\\xadtive\\u2019\\n\\nFinancial support from patrons at any level has a resounding impact on our work. You can support Liquid Architecture\\u2019s weekly\\xa0podcast and our online journal Disclaimer, for new thinking and writing on listening and sound through a Patreon subscription, for as little as $5 a month. \\n\\nhttps://www.patreon.com/liquidarchitecture\\n\\nFor the past 20 years, Liquid Architecture has been Australia\\u2019s leading organisation for artists working with sound and listening. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.'